This is a brief excerpt from NoFilmSchool
By coincidence or not, it seems like each camera announced to use CinemaDNG as its RAW shooting format is poised to change the world in its own way. The Blackmagic Cinema Camera and the ~$3K Digital Bolex D16 seek to put quality acquisition tools in nearly anyone’s hands, while the future-bound Aaton Penelope Delta and open source Apertus Axiom bear their own technical notabilities (and nobilities). Clearly it’s time to really start wondering about CinemaDNG. As of now, the license-free format is being adopted by way more cameras than NLEs, and workflow questions, concerns, and schools of thought and technique abound. There’s hope and then some, though — just over the horizon the RAW processing software shipping with the Digital Bolex D16 just might change the world in its own way, too.
There’s plenty of CinemaDNG workflowing tutorials online, with at least one going as far as batch-commanding Adobe Lightroom to spit out each frame of footage as a 16-bit uncompressed Photoship .psd file to be reimported for editing and grading — but I’m sure not everyone wants to do that, and “everyone” seems to be the deal-breaker for Digital Bolex. How complicated does post workflow truly …
By: Dave Kendricken
via planet5D pinterest news http://pins.planet5d.com/digital-bolexs-lab-style-raw-software-will-be-your-cinemadng-workflow-workhorse/
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